THAR 374 -- THEATRE OF THE WORLD: LATIN AMERICAN AND LATINX THEATRE
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Zahira Diaz and Amy Pinto
Tuesday, March 2, 1-1:45 pm
Zahira Diaz (company member) and Amy Pinto (co-founding artistic director) are part of The Imaginists, a Santa Rosa-based theater company that creates innovative community-specific and site-specific work. They’ll be discussing their work creating teatro jornalero (day laborers theater), its relationship to the teatro campesino (farmworkers theater) of the 1960s, and the evolution of their multicultural, bilingual (Spanish and English), community-based work.
Founded in 2001, the Imaginists is an experimental theater company based in Santa Rosa,CA that continually re-thinks theater; who participates, where it happens, and - what is it? Led by artistic directors Brent Lindsay and Amy Pinto, the Imaginists create contemporary performances with artists across discipline, community members, and a core company of performers. the Imaginists work is supported by the NEA, California Arts Council, the William and Flora Hewlett Foundation, Trust for Mutual Understanding, Network of Ensemble Theatres, Theatre Bay Area, and the Center for International Theatre Development..
Zahira Diaz is a performer, creator, teacher, and translator who has been working with the Imaginists since 2009. Zahira works in many different capacities including communications, translating performance texts, devising original theater, and teaching. She has performed in and collaborated on many productions including Extranjeros en su propia tierra, Women’s Work, Everybody Eats/Todos Commemos, REAL, Spin-Off and four years of El show el arte es medicina, the Imaginists iconic bilingual, bicycle-powered, free park performances.
Amy Pinto creates & performs original, experimental, place-based, and collaborative performances that are often site-specific and community specific. For over twenty years she has been exploring the audience/performer relationship, engaging community, and pushing at the perceived boundaries of theater. She is founding artistic director of the Imaginists (2001). Amy attended the University of North Carolina School of the Arts and worked with Living Stage under the direction of Bob Alexander in Washington D.C. before founding KITUS, an experimental collective of interdisciplinary artists in 1994; this group would evolve into the Imaginists.
Michael John Garcés
Tuesday, March 16, 1:30-2:15 pm
Michael John Garcés is the Artistic Director of Cornerstone Theater Company in Los Angeles, an acclaimed community-engaged ensemble, as well as a highly respected director and playwright. He’ll be talking with us about his stark, beautiful play points of departure, which delves deep into the indigenous communities of Chiapas, Mexico as they confront a disorienting world of displacement and migration. Recent directing credits at Cornerstone include Highland Park is Here by Mark Valdez; Native Nation (commissioned and presented by ASU Gammage) and Urban Rez by Larissa FastHorse. Plays he has written for Cornerstone include Magic Fruit, the "bridge" project of the multi-year Hunger Cycle which brought together the many communities of the cycle; Consequence, out of story circles with students, teachers, administrators and parents in South Kern County; and Los Illegals, created in residence with communities of day laborers and domestic workers. Michael has developed and directed several works by Marc Bamuthi Joseph, including the just and the blind, with composer Daniel Bernard Roumain (Carnegie Hall and The Kennedy Center), and /peh-LO-tah/ a futbol freedom suite (premiere at Yerba Buena Center for the Arts, subsequently at the Museum of Contemporary Art Chicago). Directing credits at other theaters include Seize the King by Will Power (The Alliance); Larissa FastHorse's The Thanksgiving Play (The Geffen Playhouse); The Royale by Marco Ramirez (Arizona Theatre Company); Epic by Ellen Struve (The Great Plains Theatre Commons); and Wrestling Jerusalem by Aaron Davidman (premiere at Intersection for the Arts; other productions include The Guthrie Theatre, Cleveland Public Theatre and Mosaic Theatre). His full-length plays include south (Great Plains Theatre Commons), THE WEB (needtheatre), points of departure and customs (INTAR Hispanic American Arts Center) and Acts of Mercy (Rattlestick Playwrights Theater).
Tuesday, May 11, 2-2:45 pm
Carlos Carrasco will be playing Lord Montague in the Public Theater’s highly anticipated upcoming bilingual audio production of Roméo y Julieta, starring Lupita N’yongo. He’ll be talking with us about acting Shakespeare, audio theater, and bilingual production. Credits: A Midsummer Night’s Dream (dir. Amy Saltz), Antony & Cleopatra (dir. Estelle Parsons), Twelfth Night, (dir. Tina Packer); Broadway: The National Health, Circle-in-the-Square; Off-Broadway: Spain/1980, Puerto Rican Traveling Theatre, The Cuban Swimmer, INTAR; Regional: Richard II, Mark Taper Forum, Macbeth, Shakespeare & Co., A Raisin in the Sun, Hartford Stage; Film: Speed, Blood In...Blood Out, The Fisher King, Parker; Television: "The Burning Season", "Looking", "Insecure", HBO. Film Director: Five Shorts; Artistic Director: Panamanian International Film Festival (piffla.com).
THAR 375 – RACE, GENDER, AND PERFORMANCE
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Wednesday, Feb. 24, 4-5:15 pm
Sammy June is a queer, non-binary actor and illustrator based in Los Angeles, recently seen in Greenway Court Theater’s If I Should Wake. They’ll be discussing current dialogue in the theater and film industry around gender, race, and representation, and how they relate to artistic choices and career paths.
Monday, April 12, 4-5:15 pm
Reena Dutt is a city girl with a country soul who believes in creating with a conscience, on and off stage. Reena will be discussing current conversations in the theater and film industry around gender, race, and representations, and how they relate to artistic choices and career paths. Upcoming: "Sitayana" (East West Players, 2021), “This is Not a True Story” (Artists at Play TBA 2021). Highlights: "If I Should Wake" (Greenway Court Theatre), “Antigone, Presented by the Girls of St. Catherine’s” (LA Times Critic’s Pic, Sacred Fools), “Defenders” (Pandelia’s Yellow Canary), “Rise & Shine: I thought I was white” (Bad Hindu Productions), “Katy and Jennifer” (Fierce Backbone). Assistant Directing: “Hannah and the Dread Gazebo” (Fountain Theatre, dir. Jennifer Chang), “The Untranslatable Secrets of Nikki Corona” (The Geffen Playhouse, dir. Jo Bonney). Dutt served on the board at Theatre of NOTE and was the first South Asian Community Liaison for the Ford Amphitheatre. 2020 Drama League NY Directing Fellowship Semifinalist, 2018 and 2017 Producers Encore Award. Dutt is also a producer having screened her films at Sundance, LAFF, Outfest, Frameline, Cucalorous, NBCUniversal, BET, PBS/Latino and HBO.
DANC 310C/410C – DANCE FORMS – INTERMEDIATE/ADVANCED
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Ori Flomin is a dance artist based in New York City. His work has been presented in venues around NYC as well as internationally in Austria, Japan, Israel, Norway, and Australia. He created commissioned work for Zenon Company (Minneapolis), LINK company (Perth), SADC Tisch, NYU (NYC), The Place (London), and The Barnard Project (NYC) among others.
He holds an MFA in Dance from New York University and teaches in many universities around the NYC area as well as internationally at ImpulsTanz (Vienna), P.A.R.T.S.(Brussels), Sasha Waltz Company(Berlin), London Contemporary School of Dance(London), Ballet de Loraine( Nancy), Chunky Move (Melbourne), Terence Lewis Academy (Mumbai) to name a few.
Ori performed with the Stephen Petronio Compnay, Neil Greenberg, Helena Franzén, Molissa Fenley, Maria Hassabi, Kevin Wynn and Michael Clark
He is a certified Yoga teacher and Shiatsu therapist.
Monday, February 22nd from 10-11:50am
Since founding Robert Moses' Kin (RMK) in 1995 in San Francisco, Robert Moses has created numerous works of varying styles and genres for his highly praised dance company. Moses has worked collaboratively with numerous artists and organizations, toured his company nationally and internationally, and composed original scores for several of his dances. In addition to his work with RMK, Moses has choreographed for many dance, opera, and theater companies including Alvin Ailey American Dance Theater, San Francisco Opera, and Lorraine Hansberry Theater. A highly regarded master teacher, Moses has taught at schools including Mills College, UC Berkeley, and Stanford University.
THAR 373- Dances of the World
(THAR 373 discussions will include a movement session, but no dance experience is required)
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Wednesday, February 24, 5:30pm
Calling on her movement experiences and gatherings in styles including Contemporary, Release Technique, Whacking, House and Hip Hop, Farrah McAdam is a dance educator, choreographer, and artist in the Bay Area who is invested in equitable, collaborative environments where history and critical thinking are investigated just as much as physical embodiments. She has performed with CALI&CO Dance, Kristen Daley, and PULP Dance to name a few, has been honored to perform at ACDA’s 2016 Nationals at The Kennedy Center in Washington D.C. , and currently teaches through Sonoma State University, Luther Burbank Center, and Petaluma School of Ballet. Farrah has been a guest educator and choreographer around the West Region- including Arizona State University, Scottsdale Community College, Modesto Community College, San Jose State, Fresno State University, Sonoma State University, and ODC in San Francisco. She holds a B.A. in both Psychology and Dance.
Rulan Tangen's work explores movement as an expression of functional ritual for transformation, an embodied source of knowing, and energetic connection with all relations – human and beyond. With an international dance career, Rulan has also been a dedicated teacher, sharing extensively in Native and inter-cultural communities across the Americas. Surviving cancer to discover her leadership purpose as Founding Artistic Director/Choreographer of DANCING EARTH, with a vision for inclusion she evolves a creative practice that explores intercultural diversity and ecological relations. Her mixed ancestral lineage includes Kampampangan / Pangasinan of Luzon Island in Pacific archipelago of Philippines as well to Europe’s Norsk and Eire, and she has passionately cultivated successive generations of Native, mixed, and global Indigenous contemporary performing artists as cultural ambassadors and conduits for social change . She is recipient of 2018-19 Kennedy Center Citizen Artist fellowship for Service, Justice, Freedom, Courage, and Gratitude - and is grateful for all that roots her, for the dreaming and doing of Dancing Earth : moving, shaking , swirling the world into renewal
Jamie Nakama & Contra Mestre Espaço
Wednesday, April 7 at 6pm–7:30pm
About Contra Mestre Espaço:
Born and raised in Brazil, Contra Mestre Espaço (Fabio Mendes) discovered capoeira at 18 years of age and instantly knew he was going to dedicate his life to training and teaching. After a few years of intensive training, he began teaching capoeira to youth at a number of elementary schools and to mentally and physically handicapped adolescents and adults at CERPAM. He also became very involved in performing capoeira, along with a number of related dances including Maculele and fire dancing, at a wide variety of venues. He choreographed and performed in shows for well-known music concerts, Brazil’s national tourist fair, the Salao de Turismo, São Paulo’s Carnaval parade, and cultural centers throughout São Paulo.
He departed from his mother’s home in São Paulo in January 2006 to cycle for almost two years, crossing ten countries and pedaling over 12,000 miles to Petaluma, California. Since he arrived in the United States at the end of 2007, he has been teaching classes to children and adults. He has also worked at the Performing Arts Workshop and with Project Commotion, Bay Area organizations dedicated to providing low-income and special needs youth with cultural and physical enrichment programs.
About Instrutora India (Jamie Nakama):
From Honolulu, Hawaii, and currently living in Novato, California, Jamie is an educator, dancer, performer, youth mentor, environmentalist, anthropologist, capoeira instructor and more! She has a master’s degree in ecological anthropology and is deeply engaged in social activism and environmental sustainability. Jamie is the Youth Program Manager at LandPaths, a non-profit organization based in Sonoma County dedicated to community conservation and social change. She also teaches biological and cultural anthropology at Diablo Valley College. Jamie has been training capoeira with Capoeria Besouro Hawaii under the instruction of Mestre Kinha from Rio de Janeiro since 2002. In Hawaii, she taught capoeira for kids and adults for over ten years and currently teaches small classes for youth in Novato. Jamie is also a yoga instructor and is trained in a number of dance forms including contemporary, contact improvisation, aerial dance, and hula. She has performed professionally with a number of Hawaii-based dance theater companies and now performs and collaborates with Bay Area artists including Lizz Roman & Dancers and CALI & CO.
Wednesday, April 21 at 6pm–7:30pm
Uzoamaka Nwankpa is a community health registered nurse with a strong passion and belief in the power of music and dance. Uzo is an educator, dance facilitator, entrepreneur, researcher and an advocate for healing through indigenous (cultures) music and dance practices.
Originally from Enugu, Nigeria, West Africa, Uzo has infused her education with her passion for music and dance to create a project that promotes health awareness with the use of old technologies utilized by indigenous people all over the world. Wellbeing is enhanced simply by intentionally engaging the mind, body, spirit and environment in a healthy manner. Imagine a world that sing, dance and play together, that is a vision of a healthy community.
As a first generation Nigerian woman and global citizen, Uzoamaka Nwankpa has created diverse ways to preserve her culture around the world through innovative workshops, speaking engagements, presentations and performances. She is an advocate for using the arts as a healing tool for individuals and communities.
Wednesday, April 28 at 5pm–7pm
Joti Singh, Artistic Director of Duniya Dance and Drum Company, is a dance creator and innovator, sprung from the U.S. American south to parents from northern India. She is the Artistic Director of Duniya Dance and Drum Company. Joti began her dance training in Punjabi circles, carrying through her body the culture that’s in her blood and memory. As an adult, West African dance entered Joti’s purview, transforming her body’s imagination. Through this multilingual body, Joti explores where history intertwines with contemporary continuities of celebration and injustice. She created the performance “Half and Halves,” about the Punjabi-Mexican communities of California with collaborator Zenon Barron. Joti has received support from the Creative Work Fund, the San Francisco Arts Commission, California Arts Council, the Alliance for California Traditional Arts, and more. Currently, Joti is creating the piece “Ghadar Geet: Blood and Ink,” about her great grandfather, Bhagwan Singh Gyanee's role in the Ghadar Party, based in San Francisco in the early 20th century, fighting for India’s independence from Britain.
Joti and her partner, musician Bongo Sidibe, lead bi-annual trips to Guinea and in 2012, opened the Duniya Center for Arts and Education in Conakry. She teaches Bhangra all over the SF Bay Area, including at Dance Mission Theater. Joti founded the World Dance program at the Ruth Asawa San Francisco School of the Arts in 2016. She holds an MA in South Asian Studies from UC Berkeley and a BA in English from Reed College.
THAR 115A- Dance Styles (Hip Hop)
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Monday, March 8th and Wednesday, March 10th from 12–12:50pm
My name is Moonyeka.
I am a queer femme mixed Ilocano movement based story teller who centers erotic power, generative healing, and celebration for me and the communities I am form. Within me is a whole squad of cut throat, but gracious Aswang. If you are unfamiliar with Aswangs, consider the following: Imagine that in the back of your heart is a portal. You enter, and once you arrive, there’s a blanket of humid air and your human self. You are amidst a rainforest and there is a clearing. Where the sunbreaks from the treetops, you are allured to a silhouetted me. Between my palms: a coconut husk cup full of the water you speak your intentions into. I pour the tubig over your head, a translucent veil adorns you and sends you to the pelvic sea of your deepest desires. Now swim.
I am the reigning deity of the $lut Sanctuary where you can call me Goddexx.
I am on a journey to integrate my erotic knowledge from various lived experience within the sex work industry, performing arts, and Aswang* guidance to offer sensually sacred, erotic, and body experiential healing spaces, especially for the communities that have raised me. *Aswang is an umbrella term for various shape-shifting, mythological, animist, folkloric, "evil" spirits and creatures in Filipino folklore.
What guided me to these offerings was my own transmutation work around my compounding trauma. I learned how to create and close portals, re-myth stories from my spirits, dance with my shadows, shape shift myself and my world into irresistible fantasy realms, reacquaint myself with fire, water, air, and earth.
My work is molded by ancestors from all realms and timescapes. The work that I offer works me everyday.
As my lessons crystallize I am led to my deep desire to offer transcendent spaces for you, for us.
It is with great reverence that I offer gratitude to all the lands, oceans, healers that have held me and generously talked story, shared knowledge. May the work I do serve the people, places, and historical timelines that contributed to my cycling deaths and rebirths.
Pre covid-19 I directed LIL BROWN GIRLS CLUB (a movement based mentorship program for young g*rls of color), organized (e)merge: a movement based healing intensive for dance communities and beyond in September 2019; and am working on LOOB**—a multi-disciplinary biomythography/memoir as part of my 2020 Northwest Film Forum x Velocity Dance Center Dance Film Residency.
I am currently making offerings at Velocity Dance Center which include Queen Tuts: An Intro to Tutting and NIGHTLIGHT, a dance party ritual every full moon. To follow my work you can visit me on ig at @m00nyeka, support my work and generate scholarships by subscribing to patreon.com/moonyeka, or sign up for my newsletter at msha.ke/moonyeka.
Monday, March 15th and Wednesday, March 17th from 12-12:50pm
Jasen ‘Sen’ Valdez is a dance artist, community builder, educator, and sometimes a badA$$ battler residing in the North-Bay. Currently associated with the Klick, a Santa Rosa hip-hop based company that provides affordable dance events in low-income communities, and Karpool Gang, a Hip-Hop freestyle group that integrate the importance of history and foundation for the Santa Rosa/Marin dance community. Jasen has taught at Sonoma State and numerous other studios all over the North Bay Area, and is now currently teaching at Roco Dance. His mission as a dance educator is giving students the space to approach dance beyond the surface level and to experience of connection with one another.
Monday, April 26 and Wednesday, April 28 from 12–12:50pm
Ruby Morales is a dance artivist and poet currently investigating culturally informed teaching methods as well as her relationship with movement as a bgirl and Mexican influenced cumbia Sonidera. After receiving a BFA from Arizona State University, she taught as a dance artist for Rising Youth Theatre in Arizona, trained with CONTRA-TIEMPO through the Futuro Summer Dance Intensive in Los Angeles, Urban Bush Women Summer Leadership Institute, PISAB's Undoing Racism Training, and trained in breaking with b-boy House, Ervin Arana, and b-boy Stuntman as well as hip-hop philosophy and theory with b-boy YNOT. She is currently working with Liz Lerman for an upcoming premier of Wicked Bodies, is a dancer with CONTRA-TIEMPO Urban Latin Dance Theatre, performer with Safos Dance Theatre and works with Tucson based artist Yvonne Montoya. She recently premiered her solo work "Café con Leche" at the BlakTinx Dance Festival, a piece examining colorism and racial inferiority in the Latinx community, and the Arizona Commission on the Arts grant funded evening length show, “Breakin’ Pachanga”, an intergenerational project culminating in a public performance honoring Mexican culture and family.
Sonnets for an Old Century
Friday, April 2 at 10am
José Rivera is a recipient of Obie Awards for Marisol and References to Salvador Dali Make Me Hot, both produced by The Public Theatre, NY, and seen regionally and internationally. Other plays include Cloud Tectonics (Playwrights Horizons, Humana Festival, La Jolla Playhouse), Boleros for the Disenchanted (Yale Rep, Huntington Playhouse), Sueño (Hartford Stage, Manhattan Class Company), Sonnets for an Old Century (Barrow Group), School of the Americas (Public Theatre), Massacre (Sing to Your Children) (Goodman Theatre, Rattlestick), Brainpeople (ACT/San Francisco), Adoration of the Old Woman (Sundance Theatre Lab, INTAR, La Jolla Playhouse), The House of Ramon Iglesia (Ensemble Studio Theatre), Another Word for Beauty (Goodman, New York Stage and Film), The Maids (INTAR), The Kiss of the Spiderwoman (Menier Chocolate Factory, London), Each Day Dies with Sleep (Circle Rep, Berkeley Rep). His screenplay “The Motorcycle Diaries,” was nominated for 2005 Best Adapted Screenplay Oscar – making him the first Puerto Rican writer ever nominated for an Academy Award. His screenplay was also nominated for a BAFTA and Writers Guild Award, and received top screenwriting awards in Argentina and Spain. “On the Road” premiered at the 2012 Cannes Film Festival. “Trade” was the first film to premiere at the United Nations. Rivera co-created and produced “Eerie, Indiana,” (NBC) and was a consultant and writer on “Penny Dreadful: City of Angels” (Showtime) 2019. He will be the sole writer of the Netflix series based on One Hundred Years of Solitude. Rivera’s short film “The Fall of a Sparrow” has been seen in film festivals around the country. In 2020 he directed the world premiere workshop of his play Lovesong (Imperfect) at the 14th Street Y as well as the short film “The Civet.” He has served on the boards of Theatre Communication Group and the Sundance Institute and mentored at Sundance Screenwriting Labs in Utah, Jordan, and India. His most recent play Your Name Means Dream was part of the Rattlestick Playwrights Jam, 2020, and read at the Sundance Theatre Lab.
Virtual Spring Dance: T-E-C-H-N-O-B-O-D-Y
Lessons Learned: Artists' Stories About Technology and Human Connection